Vocal positives:
Relatively well supported belts from C5 onwards. She possesses a nimble voice that can flip registers with ease. Her voice is raspy in most registers.
Vocal negatives:
Her chest voice sounds damaged and belts above C#5 sounds shrill because her voice is raspy.
Vocal positives
Her upper belts are her strongest feature(C5-Bb5), filled with resonance and can slice through the thickest of instrumentation without sounding force. Her diction has generated praise for being able to allow her to convey her emotions expertly. She has been seen holding a belt as high as A5 for extended periods of time without showing signs of fatigue.
Vocal negatives:
Notes above Eb5 sound shrill because she achieves them without using vibrato.
She is comfortable with doing low notes, reaching D3. Her belting is solid, reaching up to an E5.
Vocal negatives:
She gets tired easily and does not showcase her full range in live settings. She goes off-key very often even without moving and her chest voice gets weaker very quickly as it ascends from D5 live.
She belts out notes as high as Eb5 without wavering in pitch for an extended period of time. Her melismas are not overused and even though her strongest range, which is from F3 to Eb5, is where she finds home - her low notes at C#3 are used with good technique, and also pretty dark and well supported throughout the rest of her lower register. She possesses exceptional vibrato which allows her to go as high as G5 with little difficulty.
Vocal negatives:
There is nothing about her voice that makes me scream, 'Wow! I totally want to put her on the A* vocal grade' or something like that. Her voice is powerful and weighty, but everything else about her voice is either good or okay. Her voice above G5 becomes very uncontrolled, forced, and shrill at points, sometimes even nasal. Also, she has a somewhat unique timbre that is way too obvious to ignore.
Vocal positives:
Healthy lows and sweet head voice, she has the ability to belt out notes as high as E5 without much difficulty. She also has the ability to hold notes as high as F5 for extended periods of time without feeling tired.
Vocal negatives:
Her belts at E5 are slightly weaker than the rest of her belts and can be perceived as shouting. Her notes above B5 can be interpreted as shrill and irritating to some people. Her exclamation at E6 is barely audible.
Vocal positives:
She has a unique way of phrasing her songs which makes her voice 'trademarked' and instantly recognisable. She is used to singing dark songs like Summertime Sadness. Her low notes are her most comfortable part of her range, allowing her to reach low notes like C3 with ease and with proper technique as well. The low notes are well supported and dark.
Although her belting range is weak (A4-E5), she chooses to use her head voice and thus her voice in this range comes out as airy even though they can be solidified.
Vocal negatives:
Her voice when heard live sounds a little bit off-key at points
Vocal positives:
Ellie possesses a unique voice. Her head voice is her best feature. Her belting department is relatively full and strong(C5-F5) and they demonstrate remarkable resonance. Her low notes(C#3-F#3) are especially dark and thick, although still the weakest part of the range. She has the ability to allow her voice to carry a sweet and wispy timbre throughout all the register, thus making her voice recognisable.
Vocal negatives:
Her timbre sounds like it belongs to a child. Her voice, when belting can sound nasal and weaker from C#5 onwards. Her stamina live is very limited as she often sounds out of breath even without dancing.
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